Then you'll need to find others that you like better, that also fit the rhythm. You'll find words in the proper rhythm and then you won't like them. For each line you need 10 syllables that, when you read them out loud, sound like "da DUM da DUM da DUM da DUM da DUM." Reading out loud while you're writing will help you draft lines with the proper rhythm.Įxpect to go through a couple of drafts. Then, work through each line of your poem, one line at a time, finding words that express what you want to say in that "da DUM" rhythm. You have to get all other rhythms out of your head while you're working on this! Don't listen to any music while you're working. ![]() ![]() Read more than one, until you get that rhythm in your head. Here are a couple of things to try as you revise it.įirst, find a sonnet to read out loud. The lines in your poem don't have that distinctive "da DUM" unstressed/stressed rhythm, so they aren't in iambic pentameter. Each sentence of the poem needs to have five of these iambic feet ("pent" refers to "five"). Each one of those "da DUMs" is an iambic foot. Think of it like the rhythm of a heartbeat: da DUM. An "iamb" is an unstressed syllable followed by a stressed syllable. Iambic pentameter describes the rhythm, or meter, of a line of poetry. ![]() But it's not in iambic pentameter, which is required for a sonnet. Like a sonnet, your poem has 14 lines and an abab–cdcd–efef–gg rhyme scheme.
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